“No shit Sherlock!” I hear you say.
Well, I’m up to the 6th draft now on the screenplay for my first feature animation. I’m finding it quite difficult as It’s my first one but I’m learning butt-loads. In saying that though the screenplay is a fucking mess and it’s taking me way longer than expected. Even on draft #6 I think it might be pretty incomprehensible and that doesn’t bode well for the film if it’s not fixed.
The main problem I’m having with it besides it’s incomprehensibility, is that it seems overly plotted out, inflexible and unsubtle. Billy Wilder said that “The more subtle and elegant you are in hiding your plot points, the better you are as a writer” and from what I’ve been reading most good screenwriters seem to agree. My plot points are anything but subtly hidden.
So I’m going to take a different approach and re-write the entire concept as a story, then turn it into a script. Starting with the main situation and setting I already have I’ll let the characters write themselves and see where it goes. I kind of know where It’s going to end up but I feel the story will flow better and seem more natural if I do it this way… or maybe not, who knows. All I know is I’ve got to get better at writing, and quickly, or my film will be z grade schlock.