M Dot Strange is one of the foremost advocates for creating your own animated feature. After making 3 solo feature animations he’s got a wealth of knowledge on how to do it, and he’s also got really valuable ideas on personal auteur cinema and storytelling.
M Dot has a new feature ‘I am Nightmare’ that has just been released and he’s selling it here for real cheap. I’ll be reviewing it as soon as I’ve got the money to get a copy.
For now though check out this 30min presentation where he talks about how to create your own CGI feature and goes through his production pipeline. It’s a really interesting watch and invaluable if you want to follow a similar path.
M Dot Strange is a solo feature film animator and ‘Uberector’ from San Jose, California. What is a solo feature film animator, or Uberector I hear you ask? Well it’s someone who through wielding a gigantic amount of willpower and determination, has completed a feature length animation, mostly if not completely by themselves. An Uberector is pretty much the embodiment of Auteur theory and D.I.Y or Die mentality. M Dot is such a man and he does it well.
Heart String Marionette is the second feature animation from M Dot Strange, his first being We Are The Strange. Heart String Marionette or HSM is a tale about a samurai, a child and a prostitute who quest to defeat an evil warlord and his minions who are devastating the world. On the surface the narrative of HSM is a relatively simple tale of revenge and Good fighting against evil, but on closer inspection the story is thick with subtext about rampant capitalism and commercialisation, sexual abuse, resisting corrupt governments and corporations, and navigating the current world as a creative, artist and individual.
The art in HSM is mindblowing. M Dot Strange creates a world that is as tangible as it is surreal. The characters and monsters have a childlike simplicity to them, as they all represent puppets and marionettes. The atmosphere of HSM is thick, dark and foreboding. The score to HSM by composer Endika was heartfelt and amazing, however i feel it was a little overused as it covers the majority of screen time without break. This has the effect of making HSM seem more like an opera than a film. I’m not sure if this is something I liked or detested. I feel that the lack of diegetic and atmospheric sound in HSM took me out of the space that was created and I felt like the world was less of a place I could inhabit and explore, which is something I value in animation. It also made HSM into a sort of weird Noe theatre puppet show which I enjoyed.
The only other criticism I have of HSM is the way females were portrayed, which could be construed as misogynistic. From reading and watching M Dots work(especially the strong anti-misogynist message throughout We Are The Strange) I know this is not the case, however it troubled me non-the-less.
Heart String Marionette is an odd and highly personal work from one of the best and most innovative artists and filmmakers today. I definitely recommend getting a copy and supporting M Dot Strange, just don’t watch it with your mum.
You can buy the digital version of Heart String Marionette HERE for $5 which is totally worth it.
You can read about more M Dot Strange madness on his blog HERE where he talks about being a rad filmmaker.
Solo feature animator juggernaut M dot Strange has released a bunch of podcasts on creating an animated feature by yourself. Featuring Jimmy ScreamerClauz, James Id and Edgar Nielsen, they discuss motivations, problems, tech, storytelling, resources and living the life of a solo auteur smashing out animation. It’s really interesting stuff and very rare to hear conversations with the few people in the world doing this.