Tagged: atmospheric

Kihachiro Kawamoto – ‘The magician of puppet animation’

When thinking about Japanese animation, people mostly think of hand drawn or computer generated animation often characterized by colourful graphics and vibrant characters. That’s probably because most Japanese animation is in this form, however there are other amazing Japanese animators out there who work in their own forms and styles.

One of these animators is Kihachirō Kawamoto who has been called ‘the magician of puppet animation’. I don’t like this title because it implies that Kawamoto didn’t work his arse off to make his amazing stop-motion and mixed media films, instead he is somehow ‘magical’. Nevertheless Kawamoto is an amazing animator producing at least 11 short films, 2 feature length animations and a live-action puppet feature.


He began his career in the 1950’s as an assisstant to Tadahito Mochinaga who himself a pioneer in stop-motion puppet animation. In 1962 Kawamoto’s animation really took of when he travelled to Czechoslovakia to study under master animator Jiří Trnka for a year. On his return he began utilising Japan’s rich heritage and mythology in his own works with animations such as in ‘The Demon'(1972).

‘The Demon’ is based on a 12th century tale that says that when people grow old, they turn into demons who devour their own offspring. Two brother go hunting in the forest and they hear prey approaching. One of the brothers climbs a tree while the other hides in a bush, bows drawn. The brother in the tree is attacked by a demon and his sibling shoots an arrow severing it’s arm. Upon inspection of the arm, they realise it resembles their mother’s. They run home to discover their mother has transformed into a demon. Kawamoto draws heavily from Noh and Kabuki theatre and Bunraku puppetry. The mood and atmosphere created by Kawamoto is almost palpable, making it one of my favourite animations.

Another short from Kawamoto is ‘House of Flames'(1979), the tragic tale of a woman who comes between two suitors and the disastrous results. Heavily inspired by Noh theatre, Kawamoto combined watercolour background paintings with stop-motion puppets. The result is ethereal and dreamlike.

In addition to Kihachiro Kawamoto’s short animations, feature animation(The Book of the Dead, 2005), and live-action puppet feature(Rennyo and His Mother, 1981); he also directed a collectively animated film called Winter Days(2003) based on the 17th century renga of the same name by Matsuo Bashō. The 36 stanzas were independently created by 35 different animators from around the world. The film is an amazing collection of varied animation. One of my favourite stanzas is the first, created by master Russian animator Yuriy Norshteyn(who I will talk about another day). The beautiful cut-out stop-motion animation shows his mind-boggling levels of perfectionism.

Kihachiro Kawamoto passed away in 2010 at the age of 85. In my opinion he was one of the greatest animators to have ever existed. Not because his animation was particularly painstaking or technical, but because his unique style and blend of influences led him to create some of the most atmospheric and mood driven pieces ever. We can learn a lot from the aspects of animation he concentrated on and used to depict his stories.


– Hamish .S

Solo Feature Animation – Heart String Marionette by M Dot Strange

M Dot Strange is a solo feature film animator and ‘Uberector’ from San Jose, California. What is a solo feature film animator, or Uberector I hear you ask? Well it’s someone who through wielding a gigantic amount of willpower and determination, has completed a feature length animation, mostly if not completely by themselves. An Uberector is pretty much the embodiment of Auteur theory and D.I.Y or Die mentality. M Dot is such a man and he does it well.

Heart String Marionette is the second feature animation from M Dot Strange, his first being We Are The Strange. Heart String Marionette or HSM is a tale about a samurai, a child and a prostitute who quest to defeat an evil warlord and his minions who are devastating the world. On the surface the narrative of HSM is a relatively simple tale of revenge and Good fighting against evil, but on closer inspection the story is thick with subtext about rampant capitalism and commercialisation, sexual abuse, resisting corrupt governments and corporations, and navigating the current world as a creative, artist and individual.

The art in HSM is mindblowing. M Dot Strange creates a world that is as tangible as it is surreal. The characters and monsters have a childlike simplicity to them, as they all represent puppets and marionettes. The atmosphere of HSM is thick, dark and foreboding.  The score to HSM by composer Endika was heartfelt and amazing, however i feel it was a little overused as it covers the majority of screen time without break. This has the effect of making HSM seem more like an opera than a film. I’m not sure if this is something I liked or detested. I feel that the lack of diegetic and atmospheric sound in HSM took me out of the space that was created and I felt like the world was less of a place I could inhabit and explore, which is something I value in animation. It also made HSM into a sort of weird Noe theatre puppet show which I enjoyed.

The only other criticism I have of HSM is the way females were portrayed, which could be construed as misogynistic. From reading and watching M Dots work(especially the strong anti-misogynist message throughout We Are The Strange) I know this is not the case, however it troubled me non-the-less.

Heart String Marionette is an odd and highly personal work from one of the best and most innovative artists and filmmakers today. I definitely recommend getting a copy and supporting M Dot Strange, just don’t watch it with your mum.

You can buy the digital version of Heart String Marionette HERE for $5 which is totally worth it.

You can read about more M Dot Strange madness on his blog HERE where he talks about being a rad filmmaker.